Here is a critique to switch to castellan and leave this North American soloist English. Let me tell you, this is not the haunting voice that wandered around with a guitar in the days of coffee and cigars. They also criticized the words when they used a different language in their country. Or when I decided to be feline and join other travel companions. From the same. Madrileña, born in 1989 as Natalia Garcia Pozashe didn’t stop doing what she likes. Which is basically a rock band build without labels or lights.
Rock that is born from Anglo-Saxon and floats from bands of the national panorama like Loquillo, M-Clan, Los Zigarros or Tahúres Zurdos. I performed this in the Changó room in Madrid. There he presented his latest album on the night of the game, Please contact Sarah Connor. With a seventeen-year-old look, in a blue jacket and trousers and slopes crossed with David Bowie’s glam rays, he walked like one of the recent singles, Delorean.
It was an entry that diverged from the psychedelic montage, with this rock-pop point that harkens back to a recognizable tradition, perhaps inherited but reinterpreted with contemporary urgency. For years, Nat Simons was the quintessential American singer with high notes and songs in English that sounded like they were written on the corner of Route 66. Grababa in Nashville composed like her idols from another continent and wore an aesthetic that fit her like a glove.
I decided to give it a spin. Y en Felineof 2021, is confirmed as an expansion of this universe. Nat Simons didn’t leave this profile today: she absorbed it. And above the backdrop of the room, it was clear that it was now bigger, rounder and freer. Kastelán does not concentrate on the music: it thickens, the movement is more sought after, more physics. “I’m very happy to be back in Madrid,” I said shortly after, “it’s a very important night.” And it was: not just a record presentation, but a consolidated identity.
Please contact Sarah Connorproduced by Alex Muñoz, it’s backed by a sleek and muscular seven-rock armature with guitars that breathe and instrumentation that shines without being self-saturating. The song is clear, so he transferred it to the direction, where he interpreted each new theme and played some previous ones. None of his repertoire in English. Quién prevents him I will see show y Ley animal suffered from enthusiasm. Between songs, the artist balanced the emotional pulse that sustains her latest work.
“I feel cute and I think I want to explore,” he admitted. Later, when he introduced himself to his band, he became emotional: “Thank you to all the people who care about my brother. Thank you to this sigo adelante”. The moment it seemed like it was going to break. No hizo and continued Verano of 96, nostalgic colors thanks to this evaporated innocence. One of the most amazing moments I have come across Little warrior stardedicated to Paula, “the little warrior who was marked”. We moved on to celebrate the present with So much extra for mewith a text by José Ignacio Lapid, de 091, and one of the guests of the evening.
The band functioned as a compact organism. Hubo guiños de un very pop chulesco en Alain Delon and larger moments where echoes of great figures like Tom Petty are recorded. The discovery of Pablo Pérez brought the vocal muscles before closing the last throat Species en extinction or It makes the world better for me. Nat Simons oiled the machine to get to the finish line. And I can lift it Call me (Llamame) Blondie’s version and the meaning of the notified desenlation.
A task that was solved by two bises. The appearance of the third violin upset the balance of the music More than ever. And the Big Bang sky acted as a middle standoff, a final explosion that left the air feeling like we’d witnessed something bigger than a concert: confirmation. Porque Nat Simons met on the spot. A space right inside the castle rock, where tradition and search, inheritance and identity coexist. Maybe haya quien siga is thinking about his development. Progress that is not derived, along the way: its own, scales for those who weigh them.
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