The director, who returns with La Grazia in the most melancholic film, reflects on euthanasia, lightness, abomination, the creation and the possibility, “even more cruel and unreal”, of an honest, serious and dubious politician.
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The director, who returns with La Grazia in the most melancholic film, reflects on euthanasia, lightness, abomination, the creation and the possibility, “even more cruel and unreal”, of an honest, serious and dubious politician.
Source
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