The tutorial that covers it Sequence unpack emotional power distance, including psychopathy if so extreme showrunner with a design that acts as a prism over Silicon Valley. Jonathan Glatzer (New Jersey, 1969) Show this Sunday on AMC+ for a series of additional episodes Audacityfrom which the focus focused on elk techno bros, to your parents, your children, your therapists, people in ministry and your children’s teachers.
Through the narrative of intertwined plots, we are invited to observe z satirical, dark and absurd humor the here and now of a parallel universe that, in its intersection with ours, imposes data management and changes global geopolitics.
P. At what point were your personalities inspired by the rise of modern technocracy and the interfering egos of your members?
R. I will say that… not much, for that matter, to the specific personalities we associate with technology in the real world. There are aspects of those who, probably, were aware, but write It is a mysterious process. It absorbs the conversations you hear on the subway, the news you read about current events, and many of these types, because most are men, are very present every day. Although she filtered into the series, it was not a deliberate attempt to imitate or personify her. I really don’t think they are as interesting as the main character Duncan Park. I find it much more fascinating than anything of this type.
P. The presence of a psychiatrist often has a rush of nerves through which we assess the inner lives of the characters, a course famously used in The Sopranos. Why did you praise this device?
R. I grew up in a house with a therapist and a psychiatrist who is my master, very much like a chaval AudacityOrson. So it wasn’t an influential decision The Sopranosit’s just my life. However, as a special fact I can tell you that David Chase lived in the community The Sopranosso I couldn’t decide where exactly the dividing line was. ¡Hey, let’s see if David Chase got inspired in my house!
Renewed for the second time, the series delves into the pathologies of modernity through its protagonist, Duncan Park (Billy Magnussen), a megalomaniac, insecure and implacably ambitious tech titan. In the words of its creator: “at another time you could sell a crecepelo or a thousand elixirs”. Her adversary is her therapist JoAnn Felder, a keeper of privileged information in the Valley who deals with the pain of a new generation of multi-millionaires. sudden recovery syndrome and I look forward to the returns.
Glatzer needed this double sentence to reflect and understand, to reveal the reality to the one who gave her the culprit in fiction: from now on racist assumptions of a slave for part of the service stop college enchuphism and the attention of teenagers who drop out of school, which translates into kleptomania and eating disorders. Next, describe it showrunnerthe goal was to place all the characters on the table and show their relationships with the red guy.
P. Did you also, like Orson, learn hidden seances?
R. When I did this, I found rowing boring; I would rather see reposiciones de MUSHROOM in the attic. From what I looked at, this idea of what It is a sacred space whence the secrets of the sacred form and clubs are found. For me, there is a parallel with how we receive our personal information about technology, applicationon our phones…
»Our personal data, more private and revealing than any sofa conversation, is collected by companies like Duncan Park. I felt there was something powerful about a quinceañero desecrating the sanctity of the therapist’s clinic by secretly asking and the idea of when we look for it on the internet, we buy it at first until we like our sexuality, none of it is private. Both are buildings that would be destroyed by dynamite. That’s why I’m here.
P. Not to mention that the therapist has a privileged use of information from the societies of the patients with whom he works.
R. Really, I think Dr. Melfi was a much better therapist than JoAnne Felderwith a difference.
Billy Magnussen and Sarah Goldberg in The Audacity
P. In the current political climate, how can you resist the temptation to turn your protagonists into villains?
R. Because the goal was to humanize them. I don’t think there is such a thing as a purely evil personalthough Hitler tested this theory. There are a few people who search a lot. But ultimately, as a playwright and satirist, if greed, code, and ambition don’t come from a place of insecurity, unrealistic necessity, or emotional and psychological desperation, it’s not interesting to me. This is my direction.
»I’m very familiar with the political environment we live in and I’m sure I’ll continue what I did the other day, but that’s not part of this series. For me, distancing myself from the political point of view is something I do in private. I don’t believe that Audacity pretend to be a pamphleteer.
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