Connections that can be established between installation and exhibition refer to “questions that have to do with Transcendence, but from an observable materiality and concretism. I think the calls are inherent, but these four montages I elaborated are on purpose for this phase of Vieira de Silva. And it also has to do with other issues, such as love, something you talk about less. There are several questions here that can be called, but nothing normative, “says Francisco Janes to DN.
And what is the role of audio that sometimes runs with the images, sometimes alone, we ask the artist, who says that “the sound in my work has an exchangeable role and equivalent importance to the image.”
“There are those who tell us that sound reminds us that we are here, because sound is an immediate form of presence, has this side of summoning us for the present momentparReminding us that this is already fretting for me I have to leave, or to make us forget that here we are, to make us forget the body a little. ”
“Permanent” absent
Despite this last chapter of 331 Metamorphosis Mitreiras Having “a well -engendered narrative, it opens many escape lines. There is a narrative, there is a outcome and there is an opening too,” says Nuno Faria. “The paintings and museum works are enough for themselves. Sometimes we create fun that they are not, I would say, vital for the public to embark on a kind of sensory, permanent, intellectual, in contact with a painting.”He adds, being pleased with the faithful audience and the community created around this museum in the mulberries.