One of the most interesting concerts of the symphonic cycle of the Orquesta de la Comunidad de Madrid is the one that is number 4 at the time and which is performed under the name Idols and Ideals.
En el se dan cita dos obras del siglo XX, elViolin Concerto de Aram Khachaturian since 1940 and very recently Impossible Symphony Mexican Arturo Márquez (Sonora, 1950), which was entrusted to his compatriot Alondro de la Parra with destiny at the Paax GNP Festival (Riviera Maya) in 2022.
It has been defined as an invitation to imagine and build a better world through the transformative power of music. Nice designs that seem to be integrated into one pentagrams of excellent configuration and that they are based on a relatively modern language that has its roots in the Mexican folklore tradition, in which one of the author’s most famous works is found, the so-called Dance n. 2 from 1994.
During the pandemic, De la Parra created an orchestra called Imposiblein which prominent soloists from other countries took part remotely.
From now on, it is called Márquez’s symphony, which appears divided into suggestive movements, each with its own title that reveals the vaulted form. It touches on distinct vital circumstances like climate change, resilience, gender equality, empathy, utopia…
Márquez’s “Impossible Symphony” draws on modern language that comes from Mexican tradition
First and eighth sentences with subtitles Climate changeThey are written for full orchestra and function as opening and closing scores. The first movement represents the main motif, a cell of four notes, which in its five variant gets a separate paper in the second movement (Resilience).
“The work – explains musicologist Fernández de Larrinoa – is moving on situations in which a musical gesture has more eloquent paper than any verbal program: the symbols that inspire them (migration, empathy, controversy or utopia) are ultimately untranslatable and their power derives from the sonic essence that sustains them”.
Antes de la SymphonyIf you have learned the composition of Jachaturian, the vigorous and brilliant work of the musician the Soviet regime looked favorably on them and this gives the soloist an opportunity to demonstrate technique and expression singing and flamboyant virtuosity.
So what you should hope for is that the creator was a great one David Oistraj. El Cheerful with firmness It presents two contrasting themes, one rhythmic and rudimentary, the other elegiac and exotic. El Andante endured it has the air of a slow roll, an unexpectedly pained expression.
The Allegro vivacious shows a theme of impressive dynamics, limited in its central part by the lyrical melody of the first movement. In this Madrid session on February 17 at the National Auditorium in Madrid, the soloist will be Serbian Nemanja Radulovic (1985) with a wide sound and impeccable refinement.
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